Skip to main content

Mystai by Peter Mark Adams

Scarlet Imprint

$94.00 (Inc. GST)
$85.45 (Ex. GST)
(No reviews yet) Write a Review
Adding to cart… The item has been added

Mystai
Dancing Out the Mysteries of Dionysos
by Peter Mark Adams

Peter Mark Adams’ Mystai: Dancing out the Mysteries of Dionysos is the only full length, scholarly study of the ritual process of initiation into the mysteries of Dionysos as depicted in the frescoes of Pompeii’s Villa of the Mysteries.

The Dionysian themed frescos of Pompeii’s Villa of the Mysteries constitute the single most important theurgical narrative to have survived in the Western esoteric tradition. No other practitioner account of the ritual process for conducting a mystery rite has survived down to today. The frescoes’ vivid and allusive imagery illuminates both the ritual activity of the participants as well as its esoteric import.

The frescoes, created in the most private rooms of the extensive Roman villa, were never meant to be seen by anyone other than the members of the all-female Bakkhic thiasos who conducted their most secret rites within them. Buried and preserved for posterity by the eruption of Vesuvius in 79 CE, these stunning proto-Renaissance images guide the viewer through the consecutive stages of a theurgic rite of initiation into the mysteries of Dionysos.

Uniquely, these newly restored and, here for the first time, stunningly reproduced images guide the reader through the stages of initiation vividly illuminating the ritual activity.

Taking an interdisciplinary approach, Peter Mark Adams interprets the frescoes through the distinct performative lens of the ritualist drawing on current scholarship across the disparate fields of classical philology; the ritual dress codes of Greco-Roman priestesses; art history; and the comparative ethnography of rites of higher initiation to illumine the significance of the ritual grammar and the phenomenology of ritual participation.

Arising from within the unique interface between Greek and Roman culture in Southern Italy, the frescoes attest to the survival of an unbroken initiatic tradition of mystery rites of Dionysos on the Italian peninsula stretching back to the fifth century BCE.

____________________________________________________________

Table of Contents

Introduction

I · The Performative Nexus of the Mysteries
       Dionysos
       Orphism
       The mysteries I: Myesis
       The cultures of dance I: The Korybantic dance
       The mysteries II: Telete
       The cultures of dance II: The circular chorus
       The mysteries III: Epoptai
       The cultures of dance III: The chorus of the stars
       The deixis of sacred choral dance

II · The Mysteries in their Campanian Social Milieu
       
Dionysos in Campania
       Dionysian thiasoi and lineage holders

III · Reading the Frescoes’ Implicit Narratives
       
The Villa of the Mysteries
       The rooms and their frescoes
       Designing an esoteric narrative
       Modes of visuality
       Imagistic modes of religion and the theatre of memory
       Heterotopias and the interstices of initiatory space
       Chronotopic inversion
       The frescoes’ exotopic female gaze

IV · The Initiatory Drama of the Mysteries
       
Reading the frescoes

The North Wall
       
I · Family group of itinerant initiatrix
       II · Ritual of purification
       III · The rural idyll
       IV · The ‘alarmed woman’

The East Wall
       
I · The Korybantic scene
       II · The epiphany of the gods
       On the epiphanies of gods
       Monosandalos
       Ariadne as protomystês
       Ariadne’s thread
       III · The initiatory crux

The South Wall
       
I · Of this men shall know nothing
       The role of entheogens in Bakkhic ritual
       II · The dance of the bakkhe
       III · The robing of the bride

The West Wall
       
The Domina

Glossary
Bibliography
Index

____________________________________________________________

38 images, including colour photographs of the restored frescoes

Paperback Edition
192 pages. Printed in full colour on 170 gsm paper.
ISBN: 978-1-912316-12-0

____________________________________________________________

Press, reviews, endorsements

“…a talismanic and beautifully illustrated tome… a textual and iconographic dreamlike journey into the Dionysian Mysteries… I wholeheartedly recommend that those interested in the Mysteries, both in theory and practice, should indulge in Mystai seeking within every page an epiphany and a celebration of the great god Dionysos immersing oneself into the ritually-centred visuality of the Villa of the Mysteries to generate a beautiful and untamed constellation of theurgic experiences.”
       Damon Zacharias Lycourinos for Paralibrum
- Read the full review here

Book Review by Foolish Fish - watch on YouTube here

Author Talk by Peter Mark Adams at Watkins Books - watch on YouTube here

Interview with Peter Mark Adams on the Institute for Hermetic Studies podcast - watch on YouTube here

Interview with Peter Mark Adams on the Spirit World Centre channel - watch on YouTube here

____________________________________________________________

About the Author

Peter Mark Adams is an author, poet, esotericist and professional energy worker specialising in the ethnography and visuality of ritual, sacred landscape, esotericism, consciousness and healing. 

Peter’s esoteric non-fiction is published by Scarlet Imprint; non-fiction concerning energy healing and consciousness by Inner Traditions. Peter’s literary prose and poetry has appeared in Corbel Stone Press’ literary journal Reliquiae: Journal of Nature, Landscape & Mythology and the Bosphorus Review of Books. Reviews of esoterically related works have appeared on the dedicated esoteric book review site, Paralibrum.

A range of essays examining other than human encounters have appeared in the peer reviewed journals Paranthropology: Journal of Anthropological Approaches to the Paranormal and The Journal of Exceptional Experiences and Psychology, and are available on Peter’s academia.edu page. With a background in Philosophy from the University of Liverpool, Peter pursues advanced studies on iconology and iconographic; Renaissance art and material culture with the Warburg Institute’s School of Advanced Studies in London.